This is part two of a four part series by Don Friedlich, Harriete Estel Berman and Andy Cooperman for artists and crafts people about submitting work to galleries and retail establishments. Originally published on Etsy's Storque. CLICK HERE to read the entire series.
After your research to find a gallery appropriate for your work (as described by Don Friedlich in PART 1 ) now it is time to contact the gallery with images of your work.
First look on-line at the gallery’s web site for information on how artists should submit images and material for review. Check the web site thoroughly: often this information is buried deep in the web site since this is not information commonly accessed by the public.
If you don’t see this information on the web site, call or email the gallery directly. Introduce yourself and ask about their procedures for artist review and application. Don’t be surprised if they say that they aren’t taking on any new artists: the gallery world is limited and selective.
If you are invited to submit material, follow the gallery’s submission guidelines EXACTLY including the number, size and type of images. Some galleries prefer a package sent through the mail; others may prefer email submissions or a link to your web site.
Most importantly, submit only fantastic images. Gallery owners and managers may reasonably assume that the quality of the photographic documentation that you submit is representative of the quality of your work. While this assumption may not be true, visual images play a critical role and their quality and appearance do influence the gallery’s assessment of your work.
Do not send images with distractions in the background. I would suggest a background of white or a graduated grey. Brightly colored backgrounds are fine for websites (e.g. Etsy) but rarely used in the “gallery world.”
I took some photos of my own work to illustrate what I mean by low quality photography. The first image ( left) has a distracting background and a hot spot where the flash is bouncing or sunlight is glaring.
The next photo (right) has many problems. The colored background with embroidered beads is distracting. Wrinkled fabric in never a good photo backdrop.The earrings are off to one side with too much empty space within the frame. The images is slightly out of focus.
Here are a few suggestions for top quality images:
• Avoid too much empty space in your image – fill the frame.
• Correct lighting and exposure is essential.
• Do not use heavily textured fabric or paper, wrinkled or draped material, dramatic or contrived backgrounds such as sunsets, landscapes, pebbles or exotic patterns.
YOUR IMAGE PACKAGE should look creative and professional. Unless the gallery specifies differently, include the following in your image package:
• Resume - one or two pages
• Artist Statement - one or two short paragraphs (short, entertaining and relevant about your work). Pique their interest in your work with interesting content, and make it relevant to the gallery and their audience.
• Images of your work - burned on a CD or sent by email.
o Send both jpg and tif 300 dpi (or higher for print quality), if you are sending a CD.
• Image description sheet should include the following information for every image.
o Date of work
o Artist’s name
o Brief description of materials
o Dimensions (height x width x depth)
o Photo Credit of the photographer
• Contact Sheet (Page of thumbnail images and key information)
A contact sheet is rarely requested but if you are sending a CD in the mail, I think this adds a lot to your image package. This way the gallery or store can quickly glance at your images without even putting the CD in their computer. This quick and easy access to your images was an advantage that slides offered that has been lost with digital media.
Make sure that the titles for the images include your last name and the title of the work (or at least part of the title).Example for my images: BermanH_IDneck.jpg
Place all your materials in an interesting, colorful, professional envelope styled to be consistent with you work and the gallery. Your key to success is hard work, originality, and persistence.
Harriete Estel Berman