Today was unlike any other, a rare visit to the inner sanctum of a major museum. I am in Minneapolis and met the curators at the Minneapolis Museum of Art. This time together gave me an amazing inside view about how curators make decisions about acquisitions and other behind the scenes insights.
Jennifer Komar Olivarez
Associate Curator,
Decorative Arts, Textiles & Sculpture
Minneapolis Institute of Art
Corine Wegener, Associate Curator
Decorative Arts, Textiles & Sculpture
Minneapolis Institute of Art
standing next to Skyscraper Cabinet
Paul T. Frank c. 1927-28
Starting in July 2008, I decided to put all other artwork aside to focus my attention on this Seder plate. I still remember days of torment and misgiving. Will it turn out OK? I invested 100's of hours into one piece determined to make the best Seder plate I possibly could. Could I really achieve museum quality work? The isolation and challenge to make a piece unlike any I had ever made before led to recurring moments of self doubt.
But today, I saw my Seder plate Eons of Exodus at the Minneapolis Institute of
Art displayed front and center in the Judaica collection. And, yes, I AM smiling. It's like winning a marathon. I know how exhausting it was to make this with no certainty of any recognition.
I just want to encourage anyone out there to always strive for excellence. There may be no accolades other than the knowledge that you did your best. On the other hand, occasionally, curators, collectors, and donors will indeed see what you have accomplished and share it with others.
My deepest thanks go out to the curators and donors of the Minneapolis Museum of Art.
Harriete
www.harriete-estel-berman.info
































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