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"Uncommon Couture" - How Do I Decide About Participation in an Exhibition?

Artists and makers frequently have to make decisions about participation in shows, exhibitions or competitions. Depending on your experience, time and finances the criteria will change and evolve.

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Currently I have work in an exhibition titled, "Uncommon Couture" that just opened at the Florida Craft Art Gallery in St. Petersburg, Florida. I have other work in a separate show opening Saturday, September 12, titled, Body as Agent: Changing Fashion Art at the Richmond Art Center, Richmond, California. 

Recently with the up-tic in the economy, I am much surprised by the number of invitations to participate in exhibitions.   With each opportunity the question arises, "How should I decide about participation?" -- sort of like "to be or not to be" in each one.

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One of my hard and fast rules about participation (actually my #1 minimum requirement) is insurance at the venue.  After much experience (good and bad), I have chosen this requirement as a measure of whether the sponsor has their act together.   The issues surrounding insurance have been discussed at length in several previous posts.  

“We all hope that the insurance coverage isn't needed, but it is just this guarantee to the artist that raises professional exhibitions above the lower level venues and events.  Participating artists are assured that their work will be protected with superior handling AND will have a "back up plan" (i.e. insurance) in case of damage.”

Red Hots Flower Pin by Harriete Estel Berman in yellow and red recycled materials.

The need for insurance at a show can be a "red hot" topic leading to heated discussions on occasion. This really isn't about whether you have business insurance in your studio. [Yes, I have business insurance.]  This is about a minimum professional standard in an event that characterizes itself as something above the day-to-day mundane -- is this a real "show" or is it just a hangout.


Totally-To-Point-Fuchsia Flower Pin by Harriete Estel BermanIn previous posts, I have gone on record saying "no insurance, no show. "Competitions or exhibitions that do not provide insurance are for the hobbyist/amateur level such as the county fair, a display at the mall or at the local library, as just a few examples."  In these venues the artist/maker assumes all the risk.   Often, these artist/makers are just beginning to accumulate experience in showing or selling their work. 

 

I understand that insurance is an expense that is getting very expensive. But in my opinion, every exhibition or opportunity needs to consider insurance as a demarcation of professionalism and a minimum accommodation to attract the best work. Providing insurance is a reflection upon the exhibition sponsor's expectation for the quality of work to be shown. 

We need to stand together supporting professional standards. No insurance, no show.

If you are invited to participate in any situation where you are sending your work to a location outside of your control, then you have a reasonable expectation that the sponsor will provide insurance.

  • Read the contract.
  • Raise the issues with exhibition sponsors.
  • Learn how to establish appropriate insurance values (in a future post.)

All of the images above in this post are currently at an exhibition "Uncommon Couture" at Florida Art Craft Gallery in St. Petersburg, Florida. Exhibition dates: August 28-October 24, 2015

Location: Florida Art Craft Gallery
501 Central Avenue
St. Petersburg, FL 33701
727-821-7391          

Silicon Valley from the California Collection at the Richmond Art Center

Please join me this Saturday at the Richmond Art Center at the opening for Body as Agent: Changing Fashion Art  5 - 7 pm, free and open to the public. 
2540 Barrett Avenue
Richmond, California 94804
Open until November 15th

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GUIDE TO IMAGES IN THIS POST.  
OREO Unlock the Magic Bracelet in Yellow, purple at Uncommon Couture.Oreo “Unlock the Magic”
Retail Price: $530
Photo Credit:  Steven Brian Samuels 
at "Uncommon Couture"

 

 


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Yellow Bracelet with orange dots, super thin.Reverse side: “America Online” dark blue & white address label.
Retail Price  $415.00
at "Uncommon Couture"

 

Red Hots Flower Pin by Harriete Estel Berman in yellow and red recycled materials.

Red Hot Flower Pin
Recycle post consumer tin cans & plastic.
Retail Price $535
at "Uncommon Couture"

 

Totally-To-Point-Fuchsia Flower Pin by Harriete Estel BermanTotally to the Point Flower Pin
Recycled post consumer tin cans & plastic.
Retail Price $375
at "Uncommon Couture"

 

 

Silicon Valley Jewelry from the California Collection by Harriete Estel Berman

Silicon Valley from the California Collection 
Three bracelets displayed in a custom made wooden fruit crate. Bracelets and fruit crate label constructed from recycled tin containers, 10k gold rivets, aluminum rivets.
Currently at Richmond Art Center "Body as Agent: Changing Fashion Art"

Additional work at  "Body as Agent: Changing Fashion Art" include: 
Santa Rosa Bracelets Bermaid Santa Rosa
Bermaid Santa Rosa Bracelets and fruit crate display

Recycled Fruit Crate and necklace from recycled materials

Recycle from the California Collection
Recycled Fruit Label from recycled tin cans BermanRecycledcollar72  Berman Recycled Bracelets from Recycle the California Collections

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