If you have been asked to share a discount with your gallery, here is a sample letter that you can copy (amend or alter) and send to your gallery. In addition, read the previous post, and the Discounts document in the Professional Guidelines to understand the full impact of discounts.
I fully understand the tough economic times, but a “discount sale” on one of a kind or limited production work does more harm than good. It may generate short term cash but it erodes the current and long term value of yours and my entire portfolio of work. It is shortsighted to offer a discount to try to close a sale quickly.
My material and labor costs are already expended in this work and you are asking me to accept a loss. That is bad enough, but even worse, I am more concerned about how the remainder of my portfolio will be cheapened because of anticipated or expected discounting. A “discount sale” either sets a precedent or reinforces a discount mentality on all future transactions in your gallery and on my work. I cannot afford it – and it is unproductive for the art community.
My material and living expenses have risen dramatically in the past few years. Perhaps your expenses have risen as well. My share of the retail price barely covers my expenses. Consequently, a discount approach would ultimately drive me and most other artists to bankruptcy. That is not good for your business.
Furthermore, most buyers and collectors buy art primarily because they like the intrinsic qualities of the work. Price is important but is not the primary factor. By refusing to discount the price, you may lose one out of ten sales. But if discounts become routine, you will lose the value of the discount in 100% of the transactions. That is not good for business either.
Ultimately, the practice of discounting would cause both artists and galleries to inflate the retail price to anticipate the discounting so that both can make a living and stay in business. Do any of us want to waste our time in this type of price game?
Consequently, I decline to participate in any discounting of my art work/jewelry. I would also like to appeal to your sense of good business practices and ask you to refuse to offer discounts in all your gallery transactions. After all, both of us want to build and maintain reputations of quality.