Photography in Flux- Guidelines for Photos of Your Craft

The 2011 Professional Development Seminar in Seattle highlighted some of the shifting trends in photography. Artists and makers are looking beyond the photographic standards of the graduated gray background and blurring the line between craft images and product photography.  Yet regional and topical preferences – or biases – still exist.

For the PDS, three professional photographers and two editors were invited to bring their insights and discuss their opinions in front of an audience of 500 people.  The PDS committee (Andy Cooperman, Bridgitte Martin, and I) wanted to reveal any new standards and resolve the best choices for professional quality images.

What we discovered is that there is no universal standard.  What works for one person’s work, may not work for another style of art or craft. What works for an online marketplace will not be a good choice for a juried show.  It is possible that the personal style of the work and the style of the photography may produce a signature style image.

Does this sound confusing? Certainly, and all the emerging capabilities make photography more in flux than ever. Marthe Le Van, the editor from Lark Books, even went so far as to show rather unusual images of jewelry on the model (left image), and a few minutes later describe her idealized standard photo for the cover of a book. They are not the same.

So even a best-case scenario with excellent quality work that is visually and conceptually appropriate for the cover of a book, a maker now has to consider different photos for other media that reflect varying degrees of personal style.

It may be prudent to produce a range of professional quality images each of which could be appropriate for a particular situation or an intended audience.

A great publicity shot may be eye-catching with an unusual model or brightly colored background.  A great image for a juried show may not be the same as a fantastic image for publicity. 

The photo to the left from Niche Marketing speaker Hilary Pfeifer is fabulous!  The photography matches the style of her work. Would this work for everyone? Definitely not. Does she use this photo for everything?  No. She also has images with a more neutral background.

 
Fantastic images are an investment in your work.

Here is what Roger Schreiber said about this photo of Carol Gouthro's work. "The question of a piece looking better in a photo than in "real" life comes up often when talking to artists. It's all about careful lighting and isolation. Isolating the artwork from surrounding distractions always makes anything look better. But it is still the same piece. Nothing has changed. Eliminating all the light and putting it back where I want it shows texture and form. And it gets rid of window reflections and ceiling light reflections."

If you can’t afford professional photography for ALL your work, then have one professional-level photograph of your best piece for the year or the best piece from a series. That will be your “publicity shot” that represents your work for postcards, business cards, and publicity.    

Another option is buying or renting a professional-quality camera.  Take a class and learn the variables of manual settings ...  and use a tripod. (If you listen to the PowerPoints with audio Robert Schreiber makes recommendations for features that a good camera should have.)

Now that several experts have declared that almost any approach can possibly produce a good photo, here are a few tips that I would recommend as gospel to get a photograph that will be appropriate 95% of the time.

BACKGROUNDS:

Avoid backgrounds that distract from the work.

Backgrounds should not have a theme such as water, water-washed rocks, sand, moss, or leaves. These backgrounds distract attention away from the work and tend to look commercial at best.  They do not translate well in a juried show or juried book situation.

BLACK BACKGROUNDS ARE VERY CHALLENGING. Many people think that black backgrounds are automatically a good choice for light, white or silver work. The reality is that most black backgrounds end up looking like a black holes with no shadows. Try dark gray instead of black as a safer choice. Another option is to lay down a sheet of glass on black to soften the appearance and create a subtle reflection. 

LIGHTING
LIGHTING SHOULD BE FROM ONE SOURCE. Do not mix lighting sources. All daylight, for example, or all tungsten, but not both. Do not use fluorescent, CFL’s or incandescent lightbulbs. Daylight on a foggy day is the easiest full proof white light.

USE THE WHITE BALANCE IN YOUR CAMERA. Take a photo of white paper. Does it look bright white? If your test photo isn’t looking white, something is wrong with your lighting.  This apparent color cast will not produce good photos.

WEBSITE PHOTOS SHOULD BE CONSISTENT IN APPEARANCE. It is fun to experiment with unusual backgrounds or models, but be sure to take a few shots with a more standard graduated gray to white background.  Ideally, a group of photos should present a coherent theme; not just a bunch of photos.

FOCUS, Focus, focus. Learn to use the manual settings on your camera to produce the longest depth of field. If this topic is too technical, then take a photography class.

Read ASK Harriete for multiple posts about creating quality photographic images. 

A final word of advice. The competition for people’s attention is enormous. The general public has become far more sophisticated in judging quality photography by seeing professional-quality photos every day in advertising, newspapers, bulk mail advertising, and online. Any lesser quality images will diminish the perceived quality of the art or craft.  Your image sends a very powerful message. Make it the best messenger possible for your work.

List of Photos starting from the top:
Digital Images from PowerPoint at the PDS. 

Roger Schrieber's photo of glass by Jim Mongrain

Hilary Pfeiffer wedding topper from her PowerPoint presentation at the PDS. (To be published soon.)

Photo of Model from Marthe Le Van's PowerPoint presentation at the PDS. 

Recent Metalsmith Magazine cover from Suzanne Ramljak's PowerPoint presentation at the PDS.

Images from emiko oye's PowerPoint presentation at the PDS.

Hilary Pfeiffer elephant topper from her PowerPoint presentation at the PDS. (To be published soon.)

Roger Schreiber photo from his website of Carol Gouthro's ceramic

Deb Stoner Glasses from her PowerPoint presentation at the PDS.

Camera

Anonymous photo found online with a bad background.

Anonymous photo with black background found online.

Traveler Chocolate Flower by Harriete Estel Berman

Graphic.

This post was updated on February 5, 2022.

Promoting YOUR Art or Craft with SlideShare - Adding Audio!

 
I am TERRIBLE about reading instructions.
I usually just jump right in, then sink or swim.  

The point is that there are many ways to learn.  Whatever works for you, one way or another, it isn't difficult to learn how to create really great SlideShare presentations with audio.

 Below is a presentation (found on SlideShare) with step-by-step instructions of what we have been covering on ASK Harriete in the three previous posts.

Creating presentations using SlideShare and Audacity (the free audio editing software).

View another webinar from Sarah Rainey.

Here is what works for me.  Audacity is rather self-explanatory so I never read any instructions....or listened to any presentations, but perhaps it would be advisable.  Take advantage of the free software download to make your audio recording.

My first step when adding audio is to write a script. While it is not necessary to read every word exactly, a script improves your recording significantly and eliminates a lot of editing. A script saves time!

Next, modify the PowerPoint (on your computer) to fit your script. I play my audio recording while I watch my PowerPoint. Testing on your computer saves time.

Are you ready?

  Quality images

  Great Recording

  Interesting content 

 

The final steps are 1, 2, 3:

1. Upload your PowerPoint to SlideShare
2. Upload your audio MP3 file to SlideShare
3. Synchronize the advancement of images with audio. This is very easy to do.

SlideShare is a great site for creating professional quality presentations about your art or craft.

For example, I recommended that my daughter upload her portfolio and talk about her design objectives as a SlideShare presentation. What an easy way to have an online link for your resume as a new graduate on a job hunt.

 It's summer! Are you ready to jump into new ways to share your work with a larger audience? 

Harriete

Just in case....here is a review of the final steps to create your own audio recording.

FOLLOW THE INSTRUCTIONS found here for a podcast tutorial.
Download the audio software. You are almost ready.

The final download is Lame MP3 Encoder. This information is further down on the same page.  See the image below.

AFTER you download both Audacity and LAME MP3 Encoder, you are ready to start recording with your headset/microphone.

It takes some trial and error to become proficient. The image above is what the Audacity editing software looks like on my computer. As you record, you will see the recording as the squiggly blue line.

With a little practice, you start identifying what words look like.  I am editing the Professional Development Seminar recording from the Seattle SNAG Conference.

It is interesting that you can start to see "uhmmmmmsss", "Ahhhhsss", and "annnnddddssss". They are called "audible pauses" and your recording will sound a lot better by editing out audible pauses, stutters, and external noises (like a cough).

This post was updated on February 5, 2022.

KISS ("keep it simple stupid") Presentations to Promote Your Art and Craft

A great SlideShare about your art or craft starts with a great PowerPoint!

Creating great PowerPoints and not Bad PowerPoints

View more presentations from lutroo

PLAN IN ADVANCE to make your PowerPoint presentation amazing!

WHY are you making a presentation!  (Who is the intended audience and what message do you wish to convey?)

THINK BIG!

Do you want to share your work?

ARE YOU SHARING INSIGHT?

Do you want INVITATIONS for workshops or lectures?

Considering that people may be watching your presentation on a variety of monitors.... some the size of a playing card, keep your text and graphics simple.....hence KISS "keep it simple stupid".

 

Visuals In PowerPoint

View more presentations from Fortify Services

Find PowerPoint or Keynote on your computer, open it!~

Start...

 
The next post on ASK Harriete is about adding audio to your SlideShare.

Harriete

If you don't know how to use PowerPoint, a final tutorial is below. It's a little dry, but it offers a good beginning. One more hint: if you are planning to UPLOAD your presentation to SlideShare, do not add animations or fancy slide transitions....they don't work on SlideShare.  

PowerPoint Tutorial Presentation - Tips & Tricks

View more presentations from Niezette -

• K-I-S-S is an expression often used in engineering and science to remind practitioners to avoid excessive complexity.  It derives from a principle known as Occam's Razor

This post was updated on February 4, 2022.

Promoting YOUR art or craft with SlideShare - Take Your First Step

SlideShare is a great way to promote your art or craft.  The free online service provides easily accessible usage information such as the number of views on each of your SlideShare presentations.  You can allow viewers to download your presentation or opt-out.

I'd say you have nothing to lose, and much to gain! It is a great way to create a short lecture about your work, or insight into your special technique.

COST:
SlideShare is a FREE site for the basic service and this has worked quite well for me to experiment and build my skills with this new marketing tool. There is also a fee-based SlideShare if you want more information on traffic analytics.

Almost everyone’s computer comes with Microsoft PowerPoint or Apple Keynote. It is pretty easy to get started. All you need are great images for your digital presentation and you are on your way.

Do all your slide/image/text preparation in PhotoShop/PowerPoint/Keynote. You can not edit your SlideShare presentation once it is uploaded.  If you find any mistakes after uploading, you will need to fix the mistakes in your presentation and upload a new corrected presentation (replacing the old presentation). 

By browsing other peoples' presentations on SlideShare you will see that some create very effective presentations without audio! I did this for my first presentation. Create your presentation on your computer and upload it to SlideShare. Add text to your images or slides instead of audio. It is that simple!

Be patient with the uploading. Depending on the size it can take a while.

UPDATE 2014:

ADDING AUDIO to SlideShare is no longer possible.

To add audio... create a Powerpoint presentation with audio, convert to video and upload it to YouTube as a video. 
This is pretty easy to do. You really don’t need a lot of technical skills, just the risk-taking guts to experiment and learn from mistakes along the way. Your only cost will be a microphone and headset (if you don’t own one already.)

Purchase a microphone/headset combination at your local electronics store which costs about $50. (I did not buy the most expensive microphone/headset, but selected a basic option which has worked out really well.)

SOFTWARE for adding Audio:
To get started with your audio software first visit a site called “How to Podcast”. This will give you a step-by-step guide on how to podcast without breaking the bank. This is the home of the free podcast tutorial that will take your podcast from concept to launch -- and for minimal cost (brought to you by, Jason Van Orden, author of “Promoting Your Podcast”).  UPDATE 2022: The "How to Podcast" site appears to no longer be available.  NPR has an article titled "How to Start a Podcast, According to the Pros at NPR" that provides useful information.

The focus of this site is how to create a podcast, but essentially a podcast is just an MP3 file. You need an MP3 file to upload to SlideShare and synchronize with your slides. This site has all the information you need, but if you ever get stuck (it is sometimes really frustrating to learn a new technology on your own), just type your question into Google. This is how I find answers to my questions.

Audio Editing Software (Audacity) and Lame MP3 Encoder are both available online for free. There are free tutorials online too so you don’t need to spend any money on editing software.  The one I use is called Audacity. There is no need to buy expensive audio editing software when you are first starting out.

There are multiple pages of information, and even video tutorials to watch. While I don’t know how to use most of the options in the Audacity editing software, I can still create very acceptable quality podcasts and audio MP3 files.

Go to Audacity to get started.

That's it for today.
Next week, I will help you get started with a few more tips.

You have your assignment.
Get ready for the next tutorial.

Harriete

This post was updated on February 5, 2022.

Promoting YOUR art or craft at ZERO COST with Professional Results

One of my favorite online tools for visibility was Slideshare. It was purchased by LinkedIn years ago, and then it disappeared.

SlideShare was a FREE site where you can upload PowerPoint Presentations.  You can add MP3 files to your presentation to have audio along with your visual presentation. SlideShare also works with Keynote. 

My primary purpose was to create more visibility for my artwork and to provide additional content links for my website. 
An additional benefit was that many (and perhaps even most) of the people watching my SlideShare presentations were discovering my work for the first time.

Time marches on. Try something new every day, even if it scares you.

Harriete

CODE in Color Backgrounds for Art and Craft Photography

The background color for photography of art and craft is a hot topic with cool imagery.

The professional photographers and the editors at the Professional Development Seminar during the Seattle SNAG Conference gave this trend a very mixed answer, "yes" and "no."

A color background extends the canvas with which to create an expression. The color of the background can set up the context and communicate a broader message in the photograph. Let me repeat that with emphasis, a color background is sending a message whether the subject is food, cars, or artwork.

Photo by Christopher Conrad

In Christopher Conrad's photo above we read the cool blues and purples as mouth-watering and refreshing. The work and the background are both sending a tightly coordinated and integrated message. To the proper audience, the photo can be fantastic!

In the Metalsmith Magazine cover to the left, the icy blue creates a dramatic color background. This color blue is crystalline like the brooch. They echo each other in a different way. The purpose of the cover is to be eye-catching on the newsstand. The colored background is editorial, and opinionated, definitely not neutral....but the question remains whether this particular color background is sending the message that the maker wants to send about their work.  

While an editor may prefer an unusual color background for the cover of a magazine, the same answer will not be appropriate for a juried show, an Etsy listing, or gallery advertising.  It can be a total turn-off to a judge or jury, and still a great choice for only one particular situation.

Let's look at a few examples with color backgrounds ........

People often associate color with emotions. If you want people to think your work is girlie or lighthearted, think pink, or pastel as in the photo to the right from Hilary Pfeiffer's Etsy shop.

Red is emotionally charged and often represents seduction, anger, or power. Think Ferrari red, but then... it really isn't thinking at all. Red is emotional. Red is often used in restaurants from McDonald's, to high-end exclusive eating establishments because colors in the warm color family mildly excite the metabolism.

Blue can be a calm emotionally restorative color as in the baby blue to steel blue range, whereas, darker navy blue is business, conservative, or elegant as in the photo to the right with a classic sensibility by Doug Yaple.

These brown backgrounds from Christopher Conrad's food photography work perfectly. The background says chocolate. Notice how the soft lighting even gives a halo around the glass on the left further focusing the eye on the object. 

In contrast, the next photo on the left shows an ineffective brown background. The texture is distracting and fails to accentuate the object. The chocolate brown color has nothing to do with the jewelry. (I obscured the actual pendant to protect the identity.)  Do you think this background feels attractive, looks professional, or enhances the work? The brown texture reminds me of dirt, mud, painted sandpaper, or sh*t. This is an example of how a poorly chosen color background diminishes the effectiveness of the photo.  A standard graduated grey background would have served better.

In David Huang's photo to the left, the graduated background color resonates perfectly with the top lighting and the colors of the sterling silver vessel and the root/fibrous forms.

What happens when the background and the object are not working in concert? The results will be confused....and the viewers are left wondering why, why, why.

Choose carefully or experiment with variations.  Know why you have selected a color background whether green, blue, teal, or red.

What is the purpose? What is the artist/maker trying to say?  Ask your friends for critique.  The risk is that photos are rejected from books, magazines, exhibitions, or juried opportunities just because of a poor-quality photo.

What works for one person’s work, one cover or postcard may not work for another situation, artwork, or artist's style of work.

Are you wondering what your color background says.....?

Harriete

This post was updated on February 4, 2022, to provide current links.

Hands in the Photograph -The MAGIC Is ALL In The Hands

The world of art and craft is no "slight of hand" magic show.

Yet, there is a growing trend for including hands in photographs displaying jewelry, accessories, and clothing. This increases the need to pay attention to the hands used as props.  

A poorly chosen hand prop can detract from the work in the photo and ruin any chance of being accepted in a book, magazine, show, or exhibition. The harsh reality is that a bad photo is summarily dismissed as bad work. Conversely, a good photo is assumed to include good work until proven otherwise.

During the Professional Development Seminar (SNAG Conference 2011) several speakers mentioned the hand in photographic images.

 Marthe Le Van, the editor at Lark Books, showed us three example photos (left) with cut-up artist's hands, wrinkled skin and chipped fingernail polish. Needless to say, these photos were not included in a Lark Book.
 
Even a brief look online delivers an overabundance of BAD photos that include regrettable choices of hand models or awkward hand positions. I have resisted the impulse to show more bad photos -- they are too easy to find.  I think you get the idea.
 
Great skin, unblemished hands, and a perfect manicure with light to neutral nail polish is the first requirement for a hand model.

The gesture of the hand is equally important.

I secretly watch America's Next Top Model (please don't tell anyone) to learn about using models in photography. One of the primary issues when they critique the photos is the gesture of the hand. Avoid the claw shape hand position or a clenched fist. (Perhaps the photo to the upper left is an attempt to be forceful, to hide dirty fingernails, or maybe the ring doesn't fit, but it isn't working.)

 

   Bracelet and Necklaces by  Reware
   Artist: emiko oye
   Photo Credit: emiko oye
   Model: Jen Ohara

 

   Bracelets by Reware
   Artist: emiko oye
   Photo Credit: emiko oye
   Model: Jen Ohara

Graceful hands are your best choice to help viewers focus on the work.

In the photo to the right, a graceful hand gesture effectively holds an entire handful of necklaces. What a great way to capture the variety in your line of work.

Can't you just see these photos BLOWN-UP LARGE in the back of a craft show booth? What a way to attract an audience!

In the photo to the right, a stack of bracelets on the model's wrist with a few in her hand displays a whole group of work. Both of these photos are effective ways to showcase multiple pieces at the same time. They would be a great postcard, advertisement, or publicity shot.

Would I send these shots for a juried show?  Hmmm....that is a risky decision. Some shots, however fabulous, are not appropriate for every situation. It depends on the opportunity.

  Bracelets and Necklaces by Reware
  Artist: emiko oye
  Photo Credit: emiko oye
  Model: Jen Ohara

While these shots look simple, there were more than 30 other shots that were rejected from the same photoshoot. Plan on taking 20 to 40 shots of each pose, position, or idea.....then adjust the lighting, the bounce card, the model's hand, and the jewelry/accessories/clothing until the photo is just right.

How do I know?  I was there as the "photo stylist" and emiko oye was the photographer. It was a lot of seemingly repetitive effort, but in the end, a magical day.

Harriete

This post was updated on February 4, 2022.

Photography in Flux - BAD Backgrounds Yield BAD Photos - Don't Let This Happen to Your Work

While our panel of experts from "Photography in Flux" at the recent Professional Development Seminar (SNAG Conference Seattle) did not declare a "standard" for photography backgrounds, they did make it clear that BAD BACKGROUNDS create BAD PHOTOS. 

To the right are two examples of bad backgrounds from Marthe Le Van's (editor of Lark Books) PowerPoint presentation.

In the following photos, I have concealed the identity of the jewelry item so that you can focus on just the bad backgrounds (and to protect the identity).  A short description of the PROBLEM and suggested SOLUTION follows each photo so that you can avoid such problems in your photos.

PROBLEM: In the photo above the texture of the background is too similar to the texture in the metal. (I would swear this is a dirty paper towel, but I could be wrong.) Additionally, the silver metal is very close to the color of the background. There is not enough contrast between the earring and the background.
SOLUTION: A plain background without texture would have improved this photo. Perhaps a darker grey background may have provided more contrast between the earring and the background.

 

PROBLEM: The background in this photo has a distracting crease. When photographing jewelry, any defect in the background is simply too obvious.
SOLUTION: If your cardboard or paper background is damaged, do not use it. It will ruin your photo along with ruining any chance that your photos or work will be accepted.

 

PROBLEM: There is too much background in this photo. It appears that the necklace might be draped over a round ceramic container. The glaze has a moderately distracting pattern and a shiny reflective surface. The reflected "hot spot" on the container makes the photo not so good.
See the bright white reflection on the upper right? It ruins the overall image because it distracts the viewer from looking at the necklace. Obviously, this photo was taken with a single strong light source (not diffuse lighting) because the same hot spot is on the necklace.
SOLUTION: A plain background would be much less distracting. In addition, a diffuse or softened light source can be created by using translucent paper or by bouncing strong light off a foam core for a softer light.

PROBLEM: This necklace appears to be draped over the bottom of the same ceramic container. In addition to all the problems described above, we are distracted by looking at the random pattern of the unglazed ceramic bottom which is unfinished and unattractive.
SOLUTION: Do not drape your jewelry over bowls, cups, or plates of any kind, ever. This never looks like a professional quality photo because professionals don't do this. Find another solution.

 

PROBLEM: The background for this photo is inconsistent and distracting from the pendent. The highly reflective surface creates dark shadows and washed-out highlights.
SOLUTION: A plain simple background allows your work to shine, without competing with the background.

 

PROBLEM: Do not use draped fabric for your background. It always looks commercial and corny.
SOLUTION: Plain paper or a photographic background is a conservative but safe choice that will work for most situations.

 

PROBLEM: These earrings are draped over the rim of a cup. While this is a common practice, it is NOT a good photo. What do earrings have to do with a cup or bowl? Nothing! Professional photographers don't drape earrings on a cup or bowl. In addition, the background behind the cups is even more distracting with color, light, and reflection.
SOLUTION: Earrings can be laid on a piece of paper, or hanging from a model or mannequin like this earring photo on the left by earring by Andy Cooperman.

 

 

 

 

 

PROBLEM: The dark shadow on the left side of the pendant and the pendent blend together. It creates a dark left half to the photo lacking interest. In addition, the pendant is dwarfed by too much background and the background has a touch of green in the upper right-hand corner. Why? This is not O.K.

SOLUTION: Your background needs to be consistent within the entire frame. Also, bounce light into the dark side of the pendant with foam core or aluminum foil over cardboard. See below for an improved photo.

SOLUTION: I fixed this pendant image in Photoshop, lightening the left side of the photo enhancing the pattern and texture. Also by cropping off the green bit of background the pendent becomes the sole focal point of the image.

Bad photos are not limited to jewelry. The challenge of getting quality photographic images is very difficult for all media. Artists and makers should take it to heart that quality photographic images are interpreted as quality items, and vice versa, bad images are interpreted as poor quality work. Great images can lead to professional success.

A BAD background sends an unintended message. This message may be amateurish, commercial, over-stylized, or have a dated appearance.

Most of these images were selected off the Internet without permission. In most cases, I obscured the actual item to avoid embarrassment by the maker.

Stay tuned to ASK Harriete for the next photographic issue raised during the Professional Development Seminar program Photography in Flux. The PDS was brought to you by the NEA, MJSA, and SNAG.    

 

Looking forward to the next post.

Harriete

This post was updated on February 4, 2022.

Photography in Flux - We Have a Twitter Question!

During the Professional Development Seminar as part of the SNAG Conference we had "live blogging" by Tara Brannigan AND we had a Twitter question!

The question was addressed to Niche marketing speaker emiko oye from Tonya Davidson. Since we ran out of time during the PDS, she has answered it on ASK Harriete.

 “emiko, What tips do you have on finding models and determining costs?”

emiko says: When shooting your jewelry on models, it is important to select models that will not be distracting and that will be as complimentary as possible to your pieces.

 

 

 

 

 

Good skin and posture are first and foremost.

As we heard Marthe Le Van comment during the Photography panel, as an editor she is very much turned off by body hair, cuts, bad manicures, and other distracting blemishes.


While it is permissible to Photoshop out pimples and blemishes, you're better off starting with a healthier skinned model, especially if your Photoshop skills are less than expert.

  Academy of Art fashion show hires
  professional models for showcasing
  student work. Necklace by Elliot Gaskin
  

Dancers, yoga practitioners, and actresses/actors are the best models. They are most aware of how they hold themselves in their bodies. Dancers and actresses are most comfortable in front of the camera, plus know how to apply their own makeup.

 

 

 

Don't know any yogis, actresses, or models? Post signs at dance and yoga studios, find the studios on Facebook, and comment until someone replies. Ask your friends who they know, friends of friends are better contacts than cold-calling.


Photoshoot with emiko oye as photographer. It takes a whole
crew to work with a model.

Tips from emiko before shooting your work on a model:
1. A manicure prior to their shoot time is important if you're shooting close-ups of hands. Pay for the model's manicure or offer to reimburse them.  

2. Makeup is essential, even if it is just pressed face powder, mascara, and lip gloss, the application of these makes a huge difference, especially in closeup shots.


3. Control flyaway hair with hair products or have the model pull their hair back into a bun or ponytail.
 

 

 

Necklaces by Curtis Arima
Do you think the nipples are distracting?

4. Try to avoid complete nudity unless absolutely necessary for the piece and unless your model has the most perfect body. Nipples are distracting.

5. Think about the clothing your model will wear and either ask them to bring several pieces to choose from or provide something that will fit them.

Payment
I pay my models by the hour, including dressing/makeup prep time. It doesn't hurt to ask yourself what kind of wage would you want to earn? What is the cost of living in your city (NYC, NY models will cost you more than Des Moines, Iowa models, for example)?

How strenuous or difficult will the shoot be? (Is your work cumbersome or uncomfortable and thereby wearing it for over an hour a real chore for the model?)

Friends may prefer to trade for your jewelry, but I always offer to pay as an alternative, because people will work harder for you knowing they're getting money in exchange. Don't take advantage of friends, those favors only go so far--just think how you would want to be treated if the tables were turned!

 

Photography by emiko oye
Extremely Curly Recycled Bracelet
Artist: Harriete Estel Berman

Remember to take many, many photos from all angles, change up the lighting, and have a surgeon's eye for detail during the shoot. You do not want to have to recreate this shoot!
Have fun!

Thank you emiko for answering this question on ASK Harriete.

This post was updated on February 4, 2022.

How to Build a Better Drop Shadow in Photoshop - A Step-by-Step Powerpoint and Handout

The recent Professional Development Seminar during the SNAG Conference offered an informative program titled "Photography in Flux." One of the pressing issues in art and craft photos is the growing popularity of the stark white background, often with a stylized shadow near the work.

As part of the Professional Development Seminar, Photographer Christopher Conrad prepared a Step-by-Step HANDOUT and PowerPoint for "How to Build a Better Drop Shadow" in Photoshop. Now both of these are available online for you to download and practice.

Both the PowerPoint and the Handout are step-by-step color images of this process in Photoshop. There is no complicated text, but beautiful didactic images so that you can do this yourself to improve the photographic images of your work with a soft and subtle shadow.

You can find the PDF handout on the SNAG website

Below is the Step-by-Step Photoshop Tutorial as a PowerPointHow to Build a Better Shadow - A Photoshop Tutorial by Christopher Conrad

 

The issues surrounding the white background for art and craft photography were discussed extensively on ASK Harriete several months ago. You can find the posts about shadows below. Your comments are welcome either on this post or the previous posts. Your experience and opinions can help other artists.

Harriete Estel Berman

Previous posts in the series Side by Side Comparisons of Different Photos:
 Side-By-Side Comparisons - the White Background, Can You Cut It?

Side-By-Side Photos - Website Backgrounds Should be Consistent

Side-By-Side Photos - Clean or Complex Backgrounds?

Side-By-Side Comparisons of Different Photos - the white background. Trendy or Technique?

Are You Being Judged by the Style of Your Images?

The photographers are revealed!

This post was updated on February 4, 2022.

HANDOUTS from the Professional Development Seminar include tons of information

Survey results from the Professional Development Seminar attendees indicate interest in topics that have been covered in past years. This reminded me of the information and HANDOUTS already available.

Most of the handouts are no longer available, but below are still are on the SNAG website. 

SUBMITTING WORK to GALLERIES and RETAIL ESTABLISHMENTS - A four-part series.
Part one
Part two
Part three
Part four

NICHE MARKETING AND PHOTOGRAPHY PDS 2011




Digital File Extension Tip Sheet PDS 2011 (above).

This post was updated on February 4, 2022.