AND they are wonderful, dazzling, and enabling technologies. Throughout history, jewelry fabrication (whether high end Tiffany's and Cartier or costume jewelry) has used the latest available manufacturing methods with impressive results in both new capabilities and improved productivity. Jewelers, going back much further than we may realize, have constantly been exploiting the latest technologies to make their work both novel and affordable. It is fascinating that the same financial issues and "handmade debate" are not new struggles.
This lecture (below) by Peter DiCristofaro from the Providence Jewelry Museum reveals some background and offers insight into these ongoing issues about manufacturing methods for jewelry and metalwork.
No matter what your medium, it is worthwhile to consider the potential that advancing manufacturing methods offer the designer/maker to create or improve productivity.
Think about how you could use modern manufacturing to reduce your labor, lower your price point, increase your market, and become more profitable -- or to avoid repetitive stress injuries.
Unfortunately, what we miss with this online presentation is the impressive samples that Peter DiCristofaro laid out on the stage during the 2013 SNAG Conference. The audience buzz was electric! Next time I am near Providence, the Providence Jewelry Museum will be on my destination list.
This photo (left) shows conference attendees touching the Elsa Peretti chain mail scarf mentioned during the Peter DiCristofaro lecture.
Watch this video (below) of one of the Janvier - C&W Steel Stamp machines mentioned in the DiCristofaro's SlideShare PowerPoint.
PS. This SlideShare presentation "Make Like the Masters" was originally given during the 2013 SNAG Conference in Toronto. It is posted with permission from the speaker Peter DiCristofaro from the Providence Jewelry Museum and SNAG.
Your comments are welcome.