In 1997 I was invited for the first time to participate in the invitational show hosted by the Contemporary Jewish Museum. I'd seen (and was inspired by) a few of the previous shows where they invited contemporary artists and makers to create pieces of Judaica. The results were beyond expectations or gift store tchotche.
This was a very exciting opportunity -- but what to make? The theme was the kiddush cup.
While considered the theme, I wanted to use recycled tin cans, something that I had been working with for about 7 years at the time. Racking my brain, vague memories of the tin Tzedakah boxes from my childhood came to mind. I hadn't seen one for a long time..... no one collects charity a penny or nickel at a time.
Within 10 days he sent me 14 boxes just like the one above. This tzedakah box design for the Jewish National Fund design dates from the mid-20th century.
From those first tin boxes I made this Kiddush cup.
Making Judaica from recycled tin seemed heretical.
What would people think? Making a ceremonial object for a museum exhibition from unwanted, ordinary "pushke boxes" seemed irreverent. Working with recycled materials was very rare at the time, even embarrassing. Recycled and repurposed materials had not yet become the eco-trend of the 21st century.
The big surprise for me was how well received this new direction was at so many levels.
A lesson for everyone to try unexpected solutions for their art or craft. This risk started a whole new series of work that continues to this day.
The ordinary tin boxes carry memories of ritual, and observation from another generation. It is odd that the boxes have no value, but they are too valuable to be thrown away. That was why it was so exciting to see "Tzedakah Boxes at The Magnes Collection."
This photos shows "Tzedakah" 50 envelopes from recycled tin cans.
So are there ordinary objects or materials that could bring new meaning to your work?
Harriete Estel Berman